Robert Christgau - The dean of American Rock critics reviews "Forever Ago" (read the article)

I first met Claudio Scarabottini three years ago in the Autumn of 2014 when we played the music for Shakespeare’s The Tempest for the New York-based experimental theater company, La Mama. We became fast friends, working together daily under the direction of Liz Swados (to whom this album is dedicated). While Claudio and I are multi-instrumentalists, we are both mandolin players that draw from different traditions. Claudio mostly plays in the classic Neapolitan style, where my approach draws from American roots music: folk, blues, bluegrass and rock. Whenever we played together there was never a shortage of enthusiasm and fresh ideas to share.

L'articolo Forever Ago proviene da Ars Spoletium.